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Posts from the ‘Future History’ Category

What Is Sustainable Fashion?

Last month we participated in a discussion on sustainable fashion as part of Mercedes Benz Fashion Festival.

It was a really interesting evening and others on the panel brought up some ideas about sustainability as it applies to the industry that we hadn’t considered before.

For those who couldn’t make it (or for those who could but want to hear it all again), you can download the audio file of the evening…

Industry & Autonomy: what is sustainable fashion?

Can the term ‘sustainable fashion’ really exist, or is it a paradox? How does the fashion industry, from celebrity designers to mass market retailers, tackle the problem of environmentally friendly fashion practices? Is it about local knowledge, and how does this work in the global economy? And what does ‘sustainability’ mean to you? In an industry notorious for its wastefulness, and in a world where the designer label is king, how do we shift the paradigm?

When:  Tues 23 Aug 2011, 8:30pm
Where: slq Auditorium 1, level 2, State Library of Queensland
Duration: 01:13:31 hours
Download audiomp3 [68 MB]
Windows media (audio): broadband

if you only get one…

Jack + Bill

On Saturday I headed to 1000 Pound Bend in Melbourne for the Jack + Bill casting call. Jack + Bill is a pop-up PR agency run by industry heavyweights Porter Novelli. (For those who aren’t in the know, Porter Novelli is a serious end of town agency… their clients are businesses like Visa and Opera Australia). The casting call was a panel interview process to win 3 months representation from Jack + Bill.

Anyway – it was a great experience. I was nervous as heck, but that’s cool. It’d be more worrying if I wasn’t. They asked super smart questions and ran the day as a slick operation. My corporate shadow was extremely happy – the volume of fashion events that are run like a mobile kids petting zoo is pretty concerning.

Below are a couple of shots of me being interviewed by lovely Porter Novelli consultant Carol Laws.

I’ll get the results and find out if I was one of the successful applicants in the next two weeks. Keep your fingers crossed!

The Cost Of Desire

There’s a whole hoard of people out there that won’t believe this, but we’ll tell you anyway… not all fabrics are created equal.

To put it another way, there are different qualities of denim. Of silk, of cotton, of wool. Even if you overlook things such as the way the plant or animal the fabric came from was treated, or the wages and working conditions of the people who made the fabric, they still aren’t all equal. Indeed, the fibres that make up the fabric itself come in different grades, then the production of that fabric can impact the quality of the finish. With this in mind statements like “anything more than $x for a pair of jeans is a rip off” are just plain wrong.

The really crap part is that 99% of consumers can’t tell the difference between fabric qualities (beyond the extremes, anyway). It’s totally understandable – most of us can’t tell the difference in the quality of a carpet until it’s been used for five years straight and we can see how it fared.

If the vast majority of buyers can’t tell the difference for themselves, then brand must come into play. Over time, buyers will recognise particular brands for the production of quality merchandise and will be prepared to pay accordingly. Admittedly, this is probably still more true for things like electronics (consider Sony Vs Acme) than for fashion. The real issue occurs when brands that have developed a reputation for quality and the according desirability abuse their position and start to try and cut costs to increase profit margins. Is there any industry in which this is more obvious than fashion? Probably not.

Today, the fashion industry is in a place where many brands that were traditionally considered ‘luxury’ for their quality and attention to detail are produced en-masse with workmanship and materials not dissimilar to those perhaps a third of the price. (We’re not for a moment saying that Prada is comparable to Topshop, but contemporary labels such as Carven – absolutely).

The question then is where is the real cost coming from?

We’ve posted before about our profit margins and how much it costs to produce one of our tshirts. You can see in that post that we don’t operate on large margins. We also noted in that post that as production volumes increase, our margins will naturally increase a certain amount without the cost to the end consumer going up. (In fact, we often decrease the wholesale price so the cost to end consumers goes down). This is a key component of our business model. We also intend to actually cap production. So even when Bento is a larger label with stockists in multiple countries, we’ll still only be producing a fixed number of each style each season. This is for a very simple case of supply and demand. With limited supply, the perceived value of each item increases.

In most cases however, clothing labels work to minimise production costs by finding the cheapest possible fabrics and manufacturers. They then price their garments at a level that suits the perceived place they wish to be in the market (which does not necessarily reflect the actual cost). The difference then goes into the pursuit of desire – dressing celebrities, having their garments in magazines and whatnot – to make customers want those pieces more and boost the overall perception of the brand. Because these garments are not necessarily any better than those a fraction of the price without all the desire funding, consumers become conditioned to believe things like “any more than $x for a pair of jeans is a rip off”.

So what’s our point?

That advertising and PR is bad? Heck no! We love being in magazines and seeing our clothes in photos.

Our point is that factors that could traditionally be used as points of comparison can no longer be used as such. A high price does not necessarily mean high quality. A particular fabric cannot be compared to another of the same makeup and be expected to be like for like.

Brands however, can still hold some value. But, just like that carpet, you’re going to have to see it yourself before you can tell.

 

Two Thousand and Eleven

I’ve said it before but I’ll say it a thousand times more… so much can change in a year.

This time 12 months ago, I had a different name. I wasn’t married. I worked in senior management for a major bank. Leaving the bank wasn’t even on the cards. Bento was just a dream and a game I played with myself.

I’ve spent a lot of time during the last few days as the year comes to an end contemplating what 2011 will have in store for Bento and I. Perhaps it’s my corporate background, but I need to go into a new year knowing what I want to get out of it.

Rather than resolutions, I set goals. (Of course, the truly hilarious part is that most of my 2010 goals went out the window when Bento came along).

So… some of my/our goals for the year I can’t really share yet for confidentiality reasons (and it’d spoil the surprise!). That said, here’s what I’d like to do next year:

  1. Get editorial for Bento in a major glossy magazine (Vogue, In Style, Harpers Bazaar, etc.)
  2. Get a government grant for Bento (I’ve spoken of these briefly before – there are many grants out there that can help businesses like Bento thrive and reinvigorate the ragtrade in Australia)
  3. Make a profit.
  4. Have a sell-through rate above 80%.
  5. Launch Bento into a new product category (mmm… vague).
  6. Sign two of the deals I’ve been in discussions about late this year (mmm… very vague).
  7. Secure stockists in every state in Australia.
  8. Secure an international stockist (I was hesitant to write this one… I feel it’s still too soon for Bento, but we’ll see how the year plays out).

What do you think? Am I forgetting anything? In your opinion, are these goals too big or too small… or just right?

At any rate, have a tremendous New Years Eve and enjoy plotting and executing your adventures in 2011.

Why Bento Isn’t Eponymous

I’ve lost count of the number of times people have asked why I didn’t name Bento after myself (that’s what eponymous means, in case you’re wondering).

If this is something that has struck you as interesting, allow me to explain…

First and foremost, Bento isn’t about me. The name comes from a dream I used to have about running away in the middle of the night with my husband to escape the job I hated. In a nutshell, I began to play a game with myself where if I spontaneously left and was never coming home, what seven or so pieces from my wardrobe would I take with me? Logically, they were always items that were timeless, effortless and of the highest quality. When new pieces were bought the trade-off in my head would begin – would they usurp those I’d already selected to form the midnight getaway baggage? In my mind these pieces would sit in a bento – as in, the Japanese lunch box – so only a certain number could be in residence at any one time. So you see, naming the label after myself just wouldn’t do.

Moreover, I’m not actually a designer in the traditional sense of the word. I can’t sew at a commercial level and I can’t make complicated patterns. What I know about fabric and cut comes from being an avid consumer, not from traditional schooling. Really, who am I to create an eponymous label and position myself alongside designers such as Stella McCartney or Alexander McQueen? 

For that matter, with all due respect to my husband and his family whose name I now wear with pride, I’m not sure it’s really eponymous label material. Some people are just born with names that scream ‘PUT ME ON SOMETHING’ – I’m not confident I’m one of them.

Finally, when it came to naming Bento, I wanted to differentiate between me and the label. I don’t just design things that I’d want to wear. I actually spend an awful lot of time thinking about different sizes, shapes and heights, the wearability of the fabric and how it will need to be cared for. Put in a slightly different way, Bento is a commercial business, not an artistic venture. Or as Marc Jacobs said, “… you can’t make a business out of what I would wear. We’d be out of business” – but that’s probably a story for another day.

Hope you’re all having a sensational limbo – aka, that time between Christmas and New Year (and personally, my favourite time of year).

Just Say No

A particular member of the Bento team doesn’t particularly believe in luck. He says you make your own luck. Indeed, the success or failure of any individual person in their endeavours does seem to be down to their ability to create opportunities and then have the skills to see them have positive outcomes.

In building a new business, I’ve gone overboard in creating opportunities – I go to almost anything I’m invited to on the basis you never know who you’ll meet, I write to high profile people and generally operate on the basis that it’s free to ask.

Somewhat ironically then, some of the most amazing opportunities I’ve had this year have been the result of other people, companies and groups approaching me. Karma, luck, call it what you will – we’ve been incredibly fortunate this year.

The new challenge is that the universe has given us a wonderful array of opportunities… turning them successful, however requires time, energy and effort. This means that whilst you may want to do everything that lands in your lap, it gets to a point where it’s just not possible. You have to take a deep breath and say no to something.

Today I had to turn down a really phenomenal opportunity that less than 12 months ago I’d never have dreamed would be on the cards. Perhaps many people would think I’m crazy… but what’s the point in doing something if you can’t do it properly and to your complete capacity?

I’d be interested to hear what you think though – do you reckon people should just say no? Or is yes the secret to success?

Anyway… to the universe: thanks for so many opportunities, please don’t stop throwing them my way.

The bento Dance Card

Another week, another to do list far too big to fit in my head.

Of course, with orders for AW 2011 cutting off very soon, stockist hunting is still my top priority. However, I’ve also got the diffusion label on the table (oh yes, I’m a poet too) as well as preparing for SS 2011-2012 as I’m hoping to shoot it in December.

It’s substantially easier (not easy though, easier is relative, you understand) doing the second season. Of course, I’ve decided to go and get all ambitious on myself by doing the first two pieces of bento denim. Denim, in case you’re interested, is not like other fabrics. You have to have a pattern made, sample it, wash it and then see how it fits. If it’s not right, you have to go back to square one and reassess the pattern, remake it and rewash it, and repeat until you get it the way you want it.

So, despite it only being September and me not actually needing said denim pieces for another three months, I need to get in touch with makers and washers (which again are specialised tasks… my regular manufacturers can’t do either). I’ve shortlisted some denim and I’ve got the first go of the patterns done, but I need someone to make them into actual garments, and then wash them so they won’t shrink and warp when you get them home.

The other thing I’m doing at the moment is beginning to talk to some sales agents. Like an agent for a singer or movie star, a fashion agent acts as your representation in helping you get stockists, usually – but also sometimes getting your garments seen. Because I can’t be everywhere at once, I’m considering getting an agent in NSW. Like agents for celebrities though, there are many available, but only a handful of really fantastic ones. Finding them and getting them to represent you is… uh… not fun.

Anyway… s’pose I should get on with it. Lots of doors to knock today!

Current No Project tally = 0

Last Week / This Week

Phew! Another week down, another ahead and just a week out from the photo shoot for Volume One (Autumn/Winter 2011).

Last week was about doing groundwork for Spring/Summer 11/12 and getting prepared for all the impending deadlines and events for the Volume One collection.

Here’s what went down:

  • Wrote the media release for the launch and showed it to a friend who knows about these things. Long story short, this week will be rewriting the media release…
  • Interviewed a patternmaker to potentially use on the next collection. I actually really liked her, although I have more interviews to go.
  • Collected lots of quotes and investigated options for the Volume One lookbook.
  • Did way too much running around between suppliers and manufacturers collecting, fabric, bits and pieces, transferring samples between garment and pattern makers, etc.
  • Worked on the financials / business plan for Bento some more. I need to get the final production requirements for some of my garments before I know exactly how much they’ll cost and then I can set wholesale and retail prices.

On the whole, I’ve found that whilst you might think you know how your day is going to turn out, it almost never does. There’s a lot of adhoc issues, phonecalls and emails you get that turn your day on it’s head. I’m currently trying to work out if this is at all avoidable… is it down to experience, or preparation, or is this just part of the gig?

Anyway, this week I’ll be:

  • Transferring yet more samples between players.
  • Picking up more knitwear samples.
  • Picking up all my tailored (cut and sew) samples.
  • Finishing the styling of everything for the photo shoot.
  • Rewriting that press release…
  • Shopping around for lists of fashion/lifestyle media people so I have someone to send the release to.
  • Working on the designs for Spring/Summer 11/12.

All in all, another busy week. I swear I work harder doing this than anything I did in my corporate life… The irony of course is that at least then someone was paying me!

Action Stations

This week concludes my first real week as a bona-fide fashion designer (seeing as I don’t have another job now and all). This week was incredibly busy, and as I outlined at the end of last week it’s just going to be crazy from now until about November.

So what went down in Bento Town?

This week:

  • Met with both my manufacturers to discuss sampling timelines and see how they’re progressing. Everyone seems to be on time, so that’s good.
  • Discovered that one of my fabrics (the one for the dress) won’t be finished for another 6 days or so. This means that I’ll only be able to photograph it in black and not the navy or grey. Not ideal, but I don’t think it’s too big a problem. I should still be able to have those two colours ready for Fashion Exposed.
  • Found out that one of my patternmakers hadn’t really been all that clear about all the ‘bits and pieces’ required to put together samples, so I was unprepared for delivering the right things to one of my manufacturers. Again, more of a pain in the butt than a big problem, but it probably didn’t help my relationship with that manufacturer. Also, I was jetlagged out of my brain and could have done without the stress and the running around!
  • Completed sourcing all the accessories for the photoshoot (happening in just over two weeks), with the exception of the shoes.
  • Picked up the buttons that have been custom-dyed to go with all my blouse colours. They looked so lovely!
  • Got the fit-out stuff for my suite at Fashion Exposed. Almost all done on that front, too. Still need some wheels (will explain that in another post). Hopefully they’ll come in before the show.
  • Finalised the models and hair/makeup for the shoot, as you will have already seen – very excited about this one!
  • Started the styling for the accessories for the shoot. Pretty happy with how these are coming along. If you didn’t catch the pictures during the week, you should join me on Twitter! (www.twitter.com/fashionrecruit).

Next week:

  • Finalising the shoes for the shoot (don’t worry, you’ll get all the details when they’re sorted).
  • Starting the PR legwork – preparing lists and doing drafts of media releases. Unfortunately, I don’t really have the budget to hire a PR person/agency so I’m going to have to be doing this myself. I’m a big believer in knowing your limitations and focusing on what you do best. I don’t consider myself to be a PR whiz so I’d really have liked to hire someone for this, but tough times call for tough measures, so I’m going to be relying on my friends that work in the industry and doing everything I can on my own. Not ideal, really but yeah. If any talented PR folks read this and want to do some contra work or something, I won’t mind you getting in touch ;)
  • Maybe, hopefully I’ll get to see my finished samples in the other colours. This will mean I can finish styling each of the looks, photograph them and send them to the photographer, modelling agency and hair/makeup artist.
  • Finalise new business card designs and get them printed. I’m really excited about these, what I’ve seen so far looks just amazing!
  • Preparing a contact list for dream stockists. I’m expecting I won’t catch many (any?) of them at Fashion Exposed, so I need to know who I’m going to target. This sounds quick, but I know from experience it’s a really time-consuming job.
  • Probably a whole heap more stuff I haven’t got my head around yet… one of the items on my to-do list for Monday is to update the project plan :)

Early to bed tonight, methinks! Right after tapas, a glass of red and exposure to the open fire at our local…