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Posts from the ‘Design Files’ Category

The Lady With The Alligator Purse

Miss Lucy had a baby
His name was Tiny Tim
She put him in the bathtub
To see if he could swim

He drank up all the water
And ate up all the soap
He tried to eat the bathtub
But it wouldn’t go down his throat

Miss Lucy called the doctor
The doctor called the nurse
The nurse called the lady
With the alligator purse

In came the doctor
In came the nurse
In came the lady
With the alligator purse

“Measles” said the doctor
“Mumps” said the nurse
“Hiccups” said the lady
With the alligator purse

“Penicillin” said the doctor
“Castor oil” said the nurse
“Icecream” said the lady
With the alligator purse

Out went the doctor
Out went the nurse
Out went the lady
With the alligator purse

I heard this nursery rhyme from when I was very little. I always imagined the lady with the alligator purse to be very beautiful and knowledgable and clearly quite fabulous to prescribe icecream as a remedy for hiccups.

Anyway, my dad gave me my grandmother’s alligator purse a few years ago. It’s actually an alligator – the eyes have been replaced with amber, but it’s teeth are all still intact. It’s quite hideous and wonderful at the same time.

I like to imagine the lady with the alligator purse looked this awesome…

Photographer: Caitlin Jane McColl
Hair/Makeup: Tanya Guiccione, assisted by Daniel Carbone
Model: Samantha Ashton at Mark Fitzgerald Management
Bento Factor: Black ‘Ruby’ dress from AW11 collection

Another Angle

Another pic from the series of shots showing Bento in a new light…

Photographer: Caitlin Jane McColl
Hair/Makeup: Tanya Guiccione, assisted by Daniel Carbone
Model: Anna Furze at Mark Fitzgerald Management
Bento Factor: Hannah silk blouse from AW11 collection

Little Red Riding Hood Got The Wolf…

And wore him to a party.

Photographer: Caitlin Jane McColl
Hair/Makeup: Tanya Guiccione, assisted by Daniel Carbone
Model: Anna Furze at Mark Fitzgerald Management
Bento Factor: Ruby dress from AW11 collection

The Curse Of Detail

I’m an exceptionally detail-oriented person. This is a ”skill” that made me extremely suited to proofreading when I worked for an ad agency early in my career. I can always pick errors that I find glaringly obvious in books that have probably been edited over and over again (by the way, whilst I remember… whoever is Ben Elton’s sub-editor deserves a prize). Over the years I’ve been told by several people in the film industry that I should be a continuity expert for my ability to just *know* that the leading lady has worn two slightly different shades of lipstick in one scene or was wearing her belt buckled differently.

Put simply, I am a sincerely less useful version of Sherlock Holmes. This all might sound great, but it’s not. It’s a total curse.

Why? Well, it means that I’m often not happy with things. Small details that aren’t right bother me greatly. I can’t go a day without doing my eyebrows. I’m confident I was a pain in the ass as a boss because I would always find grammatical fault in documents my team sent me. I will boycott perfectly gorgeous things in my wardrobe because I cut my hair and they no longer have an overall effect I find pleasing.

As an aside, my husband will tell you that despite all this, I’m very messy… I’m going to say I’m chanelling my inner (notoriously untidy) Sherlock.

From a sartorial perspective, being so detail obsessed has been very challenging. If something isn’t exactly right, I’ll notice… but if it’s going to cost a thousand dollars to fix, given the vast majority of others just won’t see it, can I let it slide? Is the difference between having a waistband that’s 2.4cm and 2.45cm really that big an issue?

Presently, the Bento team are on hiatus, finding inspiration in a regional area in Asia. I meanwhile, am obsessing over the belt length of a wrap dress I have designed for SS 2011 – 2012.

Some would tell me to get a life. Alternatively, you could claim this fault of mine is what makes me perfectly suited to being a designer.

What do you think?

Bento Welcomes… PRINTS!

Rather deliriously excited at this very moment, as I’ve found a local supplier who can produce custom printed fabrics at a really reasonable price with low minimums via Italy. Hooray!

What this means is that you will now start to see some prints dotted about Bento collections. I say ‘some’ and ‘dotted’ because I fundamentally feel that although prints are a lot of fun and add interest to a garment, they do tend to date it. Generally too, they’re not as versatile as a block colour.

That said, a print that is not ‘on trend’ can be timeless. It can also become a signature piece – not only for the label, but for the wearer too.

Our very first print will actually be appearing as a statement piece in our upcoming Spring/Summer 2011-2012 collection. It incorporates all the colours seen across the entire collection.

I’d love to hear about your favourite prints. Everything from something in your wardrobe to a picture in an old photo to a garment you caught a glimpse of as the wearer ran up the stairs at the train station.

Descriptions, photos… I’ll take anything! What’s your favourite print?

Bento Denim

It was a European summer, which somehow felt hotter than an Australian one… more likely I really just wasn’t expecting it, after it being cold enough to wear a leather jacket in London just days earlier.

I had ditched my warm-weather clothes in Singapore for pickup on the return trip, thinking it’d never get hot enough for jeans to be thermally inappropriate in Europe.

Oh, how wrong I was. By the time we got to Milan, it was 35 degrees (celsius!) and I was decked out in dark blue verrrrrrrry skinny jeans. I was sticky, hot and pretty grumpy.

I searched like the dedicated shopper I can be for a pair of cuffed denim shorts. Now if you’re gorgeous, young, tanned and of European descent, you’d do very well shopping for denim in Italy. It’s a sea of tight short denim shorts. For those of us who prefer something of a slightly less spray-on effect and with a little more length, it’s an arid desert.

With Italy behind us, but France ahead and more warm days forecasted, I got desperate. I came to the retrospectively fairly hilarious conclusion that as a bona-fide “fashion designer” I should be able to DIY something.

So, about the Australian equivalent of $40 AUD later, I had a pair of wide-leg Diesel denim jeans courtesy of TK Maxx, a pair of kitchen scissors, also from the aforementioned bargain mecca, a ped-egg* and a complimentary sewing kit from one of the fancier hotels we’d stayed in.

Back at the hotel and to my husband’s amusement, I proceeded to snip the jeans off in varying amounts until I decided the length was right. I then embarked on a journey to the “ironing room” where I permanent-pressed the cuffs of the shorts to the right finish. I then busted out the sewing kit and secured the cuffs. Finally, in the safety of the bathroom, I ped-egged* the cuffs and the waistband to achieve a worn-in effect.

The result… a custom-pair of cuffed denim shorts with the right fit and length I’d wanted.

The Customised Shorts In Action...

Spring-Summer 2011/12 will see these actually launched as part of the Bento collection! So, when you see the final result, now you know where the inspiration came from…

*a ped-egg is like a very fine hand-held grater. It’s meant for your feet, but mine was new so, feet, shorts, whatever…

How Do You Know What To Do?

One of the cool things about leaving a job is that you get to make friends. All these rad people who you used to work with who were once colleagues become friends. Oh, and you don’t have to see the annoying weirdos anymore.

Anyway, a former colleague and now friend sent me a note this week, commenting on how when she first launched her label, Victoria Beckham was criticised by the media for not being a “real” designer because she hadn’t had the proper training. My friend was wondering if I’d been to design school of some sort and how I knew what to do.

Well, here’s the thing. I think designing clothes is like being an artist. You either have talent for it or you don’t. (I’ll leave it to you to decide whether I’m in the least bit talented when it comes to fashion design!) Bottom line though is that studying at school may refine your talent and teach you new ways to express it, but it won’t create talent where there was none to begin with. If this were nuclear science or medicine or something, then yes – formal qualifications are essential. But it’s not.

I have studied a little (specifically, a few CAE crash courses and a Diploma in Professional Styling), but I also grew up in a family where making clothes and indeed ‘things’ was the norm. I also harbour a healthy fetish for fashion magazines and have a very specific idea about what I like and don’t. For me, designing a collection is about translating a wisp of a concept a thought or a mood into a tangible, wearable range. They change themselves as they come to life, as fabrics are selected and the patterns are fleshed out.

I see things, people, places and so forth as I travel around and they morph themselves into garments. For example, in the Spring/Summer collection for 2011 – 2012, I’ve designed a maxi wrap dress. The cut of it was inspired by seeing Madame Butterfly at the coliseum in Verona.  

So… for those of you who were interested, now you know. And I do apologise to anyone who thinks I’m not a real designer because of my lack of formal education on the matter. I won’t hold it against you when I’m crazy successful and you want to interview me… ;)

Oh… and to my aforementioned friend Alice – thanks for inspiring a post!

Current No Project tally = 4

Spring / Summer 2011 – 2012 Colours

As I hinted yesterday on Twitter, the colour palette for Spring / Summer has taken a bit of a turn in a new direction.

Rather than just the cinnamon, blues and greys like this picture:

I’m going to be incorporating the plums, pinks and peaches seen in a sunset after a volcano has errupted, like these pictures…

Without sounding like a crazy person, it’s simply because the fabric dictated it should work like this. When you start seeing the colours in your mind translated into actual fabrics that will be worn, they react differently together. I lay them all out on my studio floor and watch them as the day progresses. The fact is the pinks and plums work better in fabric with the cinnamons, greys and the beige-grey colour of the driftwood than the blue does.

I have some really fun fabrics for this season though! A gold foil linen, a cotton/silk blend for a pair of shorts and some cropped, tapered pants, the most delicate silk habotai in the colours of the sunsets shown above… So pretty!

Current No Project tally = 11

Bento Season One: The Jacket

More from the lookbook, here is a picture of the jacket in season one. It’s a cropped box jacket. The sleeves are slim and slightly cropped. It’s made from medium-weight 100% wool and available in black, grey, navy and the check you can see below. I love this jacket for its simplicity and clean cuts. It was inspired by a 1950s vintage jacket I have in my own wardrobe!

Model pictured is Silvana at Vivien’s, photographer is Emily Abay, hair and makeup by Merton Muaremi, heels by Shoes of Prey.

Another Shot From Season One

Another picture today from the season one lookbook photo shoot… this is of the pants again (in black) and the short sleeve knit in grey. I left the knit out in this shot rather than tucking it in so you can see how long it is.

The model shown here is JJ at Vivien’s, photographer is Emily Abay, hair and makeup by Merton Muaremi, heels by Shoes of Prey.