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Posts from the ‘Day-To-Day’ Category

My Hair Is Getting Thin

I don’t want to sound like a wanker, but I’m just going to come out and say this anyway.

Bento pieces rock. I stand by the quality of the fabrics, the workmanship of the stitches and the effortless wearability of the finished product.

It’s no secret that retail is horrible right now. With this in mind, selling season is no fun. I’ve never tried to sell in good times, so I don’t know any other alternative – perhaps if retail was working on an exponential curve going in the other direction it’d be a lot better.

Anyway, I genuinely love the finished product I’m selling. I don’t wear it all myself (I’m not one of those designers that creates pieces for themselves and simply believes others will want it too), but I know each and every piece is delicious. I completely hate feeling like I have to convince stockists that it’s worthy of their attention and their dollars. Equally though, I understand their pain. I understand they want to curl up in a ball, baton down the hatches and buy stuff they’re convinced will sell (translation: no new labels).

In summary: I may be channeling Homer Simpson in the hair department come mid October.

Thoughts go out to all those other designers out there that I know read this blog and are going through the same thing. Stick with it. If your product is great, you WILL get there. Christian Louboutin was in business 12 years before anyone knew who he was.

History

More Than People

I recently saw Marie Antoinette and – despite the critics reviews – I thought it was beautiful. Sure, there was basically no story and it was historically pretty loose on the details, but if you look at it as a painting in film form, it was completely exquisite. Indeed, without those costumes and the soundtrack (not to mention the ravishing sets), that movie would have been terribly bland.

marie antoinette

Marie Antoinette

Marie Antoinette

Marie Antoinette

Marie Antoinette

In a completely different way, Black Swan was a phenomenal film in terms of exploring mental illness and the quest for perfection. But really, it just wouldn’t have been the same without its costumes (by Rodarte) and the soundtrack.

Black Swan

Black Swan

Black Swan

Black Swan

 I’ve heard many people talk about the importance of music for them, describing it as ‘the soundtrack of my life’, and I suppose this is what fashion has always been to me – the costume department of my life. If life is about moments, those moments are mostly experienced wearing something and for me, without the right costume, those moments just wouldn’t be the same.

So… if your life was a movie, where would it be set, what tune(s) would be on the soundtrack and who would provide your costume?

I’ll go first:

Set: New York and Paris
Soundtrack: Tough call, but I think Bille Holiday
Costume: Bento and Mulberry

Your turn!

Be Selective, Not Impulsive

Quote from Hal Rubenstein, Fashion Director, InStyle Magazine (US)

“The biggest mistake women can make in fashion today is to get caught up in the idea that they need a new wardrobe each season. Before you jump in and buy, buy, buy, consider what you need. Maybe it’s a classic bag that will last you forever. You need time to live with clothes or a new accessory to truly appreciate it for what it is. If you want to bring newness to anything, be it work or your love life, you must appreciate what you have.”

Amen to that!

10 Becomes 20

Many of you will remember a short time ago we talked about the new icon that would begin appearing on our swing tags from next season to show that all our pieces go from concept to completion within 10km of our studio. Well, there’s a spanner in the works – one of our manufacturers has relocated from Collingwood to Ormond moving that radius out by about 10km… So, 20 is the new 10.

The point of the 10km thing wasn’t the number though. Or even that it was made in Melbourne. The point is that our supply chain is geographically tight. This is important for many reasons, but primarily it means our carbon footprint is really low due to minimal transport costs. Also, we’re able to keep a tighter rein on things because we can visit and supervise the production process where necessary to reinforce our commitment to ethical production. Of course, we also get to support the local rag trade and the Australian economy.

We continue to encourage others in the fashion industry to take a look at their supply chain and see where they can move elements closer to home. As always, the icon we’ve had developed is available for free to any other label who wishes to use it (the number can be changed).

Thanks Isn’t Enough

From my marketing days I’m really aware how rare a compliment is for a business. People will complain far more readily than they will say anything positive. It’s not necessarily bad – in a way it’s good – after all, if people tell you when you’ve upset them, you have a chance to make them happy.

Anyway. That’s not really what I’m getting at. What I’m trying to say is that compliments are like gold and for me this is amplified a thousand times. I’m inherently very hard on myself, and I’ve given up a lot to bring Bento to life. When someone tells me they even vaguely like Bento it makes my week.

With this in mind, I wanted to share with you some of the nice notes I’ve received over the last few weeks. Some of these have names after them as they’ve been posted in public places, and others do not as they were private emails. Please know I thoroughly appreciate every single one of them though (I just don’t want to intrude on your privacy!).

“This may be the most beautiful thing I own. I think I’m going to cry.”

“I just can’t look at your clothes any more. I must have them! Where can I find a Hannah blouse?”

“Your silk shirts are AMAZING… Gosh I love what you do Sam!”

“I got the parcel today thanks, your pieces are beautifully made! [...] I want more.” – Signed from “a new Bento convert”

“Saw some of your pieces the other day! Beautiful! :) ” – Max McDougall

“I just love your designs”.

This last one actually made me squeal. It’s written by the deputy editor of Madison magazine and the former editor of Yen to describe Bento (and was completely unsolicited):

“Sustainable, highest quality, locally made investment pieces.” – Louise Stewart

 

And all that I’ve received in less than two weeks. Thanks doesn’t cover it, but it’s all I have. These words keep me going and make me feel like it’s worth it and gives me the energy to tough out the less-than-stellar days.

So a thousand thanks – not just to the people whose comments I’ve listed above but all those people who are kind enough to support me. I’ll never forget.

 

The Uniform

Do you have a uniform? Not a work uniform, silly. I mean a failsafe go-to look. Open your wardrobe – is it mostly denim? Sun dresses or suits?

I rather admire people who have a personalised uniform. Often it seems many fashion folk consider a ‘uniform’ for a civilian to be for someone who doesn’t have much imagination, or is just not fashionable enough to be aware of trends.

The glorious thing about a uniform however, is that you can safely buy things on sale. You can “invest” in expensive pieces and know that you’ll wear them for the next ten years because they’re part of your uniform.

Have a think about the people who you find to be incredibly stylish. In most cases, you’ll notice they actually have a uniform… it may not be a particular style, such as gypset or what-have-you, but they’ll almost definitely dress with a common theme. All it really amounts to after all, is knowing what suits you. Adopting trends that flatter (not ones you just fancy) and ignoring those which don’t.

Even if you’re reading this and saying to yourself that you don’t have a uniform, I’m prepared to bet you do… or that you’re at least a good way towards identifying one. Do you find yourself continually buying the same sort of items? Or that you wear 20% of your wardrobe 80% of the time? These pieces are the foundation of your uniform.

What do you think of the uniform? Boring, or effortless style? And what is your failsafe go-to look?

How Many People Does It Take To Run A Label?

Last year I read Four Hour Work Week by Tim Ferriss. The basic premise of the book is that we fill the time we’re given to complete any given task, irrespective of the amount of work actually involved. To put it another way, isn’t it a kind of huge coincidence that every single full time job in Australia theoretically takes almost exactly 37.5 hours a week to do? The Four Hour Work Week talks at length about achieving a level of organisation and time management that, when combined with outsourcing means that a very successful business can be run with only one employee working just four hours a week.

Anyway, setting up Bento was a major body of work involving a heck of a lot of time, energy, effort, tears and phone calls. That said however, now it’s done. We still have enormous hurdles to cross, challenges to meet and goals to achieve, don’t get me wrong. But a lot of these goals, hurdles and challenges must be met in time. Some things you just can’t rush and some things we just can’t do without money. More to the point, we have the systems and people in place to handle all our future adventures, no matter how big they may become.

The thing that keeps surprising me is that as far as I can tell, just like Tim Ferriss outlined, a label can be run quite successfully with very few actual employees – it’s everyone we work with that needs to employ people.

As it is, Bento ‘employs’ two people – me, as designer and marketing manager, and Charles as operations and finance manager. We have two patternmakers (one for knitwear, one for everything else) and three manufacturers (one denim, one knitwear, the third for everything else). We work with a creative agency that do things like our business cards and lookbooks. Very soon, we’ll be opening an online store… and again, the fullfillment of orders will be done by another agency. We’d very much like to add an Australian publicist and perhaps an Australian sales agent / distributor to this list too (we haven’t been able to justify the cost of these yet).

Absolutely all these things could be brought in house. If we got into retail and started opening physical stores, obviously we’d need people to work in them too. Given the cash flow situation that is very apparent in the fashion industry though (consider our previous posts on payment terms or the fact that in recent years labels like Ksubi and Sass & Bide have needed financial backup and other brands have just gone out of business), it’s an option with a risk profile just too great for us.

So to answer my own question, it takes a tonne of people to run a label. At least 30 are required to run Bento.

The real question is, can a label be run successfully with only a few actual employees? Time will tell.

How To Be A Buyer That Labels Truly Respect

If you’ve ever had a job you will probably have endured the task of working with people who aren’t very good at theirs. In fact just like at school, in the corporate world, the competency of people at their career is generally graded against a bell curve. That is, the majority of people are simply ‘middle of the road’ and there are increasingly few exceptionally brilliant and exceptionally awful cases as you reach each end of the spectrum. In instances where there is an overwhelmingly high performing industry / team / group (or poor performing, for that matter) sometimes you’ll get a skewed bell curve so that the ‘average’ is better or worse than right in the middle.

It’s not fair to place the blame for the current retail environment with buyers though – there are many other factors at play – however it’s very clear that some stores are still going quite strong and others, often in the very same street, are closing down. At the L’Oreal Melbourne Fashion Festival business seminar ‘Retail Detail’ earlier this year, renowned UK buyer Erin Mullaney (she’s worked for places like Selfridges, Browns and Harrods) said “I have in fact, met very few good buyers”.

Obviously the success or failure of a buyer is in large part down to one simple equation: the percentage of goods that they’ve bought that sell at full price. But a buyer that labels respect will get access to things that increase the likelihood of this happening, and making business that bit better  - exclusive colours and styles, first pick of limited runs, flexible payment terms when required… you get the idea.

Anyway, here are five qualities we believe all highly respected buyers have in common.

1. They’re Responsive. Trust me, we know you’re inundated with lookbooks and emails and postcards and all sorts of paraphernalia from hopeful labels wanting to be on your racks. We get the same from photographers, stylists, models, hair and makeup artists, creative agencies, brand consultants and so forth. Here at Bento though, we take a lot of time to carefully consider your store, your stock and your customer before we approach you. Each email, phone call and visit is meticulously planned and thought out. With this in mind, it’s disappointing and frustrating when you just don’t respond. And it doesn’t have to be an essay – we’re totally fine with a simple ‘no thanks’ or ‘not this season’. Just let us know so we can move on. It’ll save you a lot more emails, calls, smoke signals and carrier pigeons down the track.

2. They Get Their Facts Right. Often, we have to travel to see a buyer. This is not a problem, but it takes a significant amount of time, preparation and often cost too. Should you make a buying appointment, do it only if you’re genuinely interested and you don’t have any superficial objections. By this we mean objections that you could have got out of the way without a visit. For example, price. When we’ve travelled over a thousand kilometres, paid hundreds of dollars to get there and left home at 4am in the morning, the last thing we want to hear is that our collection is more than you are willing to retail. A valid objection, absolutely… but one that could have been brought up earlier. All this means is that no one’s time is wasted. And isn’t that a good thing?

3. They Know Their Customer / Don’t Buy The Model. We’ll be discussing how to truly know your customer in an upcoming issue of The Boutique Broadsheet. What this really means though, is that most of the time, you are not your customer… and nor is the model in the lookbook. We see the best sell-through rates from stores where they know their customer well enough to buy an appropriate size range and colour palette and not get distracted by the age / height / skin colour / pose / whatever of the person in the picture. For that matter, someone who instantly knows what will work and what won’t is just plain impressive. This also means you can take more educated risks on labels with a lower profile, thus differentiating your store.

4. They’re Honest. We won’t lose sleep if you don’t like the collection. Really. If you don’t want to ever hear from us again, that’s okay too. If you’re just not interested, that’s also fine. What isn’t okay though, is lying. And trust us on this one – we can tell.

5. They’re Communicative. If you do end up stocking our label, great! But now we need you to talk to us. What’s selling? What isn’t? What are your customers continually requesting? How can we support you and your store? After all, we can’t solve a problem that we don’t know exists.

A Picture Of Proximity… Unveiling Our New Icon

We’ve been banging on for some time now about how Bento has created a very geographically tight supply chain. The specifics vary for each garment and style, but without fail every piece we put our name on is made within 10km of our studio. Whilst I was hunting down the various suppliers and manufacturers required to make this happen, I was surprised and delighted to discover other Australian designer labels use these locals too.

Today we’re unveiling a new icon that will appear from next season onwards on our swing tags so that people can see just how close by our garments are made. And here it is…

Ideally though, we’d like to see this become more widespread than just Bento. So here’s our offer. This artwork is available to anyone in the fashion industry who wishes to use it. You can change the number and the colour of the icon, but nothing else (otherwise it wouldn’t be very consistent now, would it?).